Friday, October 14, 2011

Donating Your Artwork

The Ins and Outs of Donating Artwork



I just finished decorating this bowl for a local charity auction for the Colonial Theater outreach program in Keene. 


Since most of my blog readers are fellow artists -  I know that we all have been asked from time to time to donate our artwork to some cause or another. I have a confession to make.  Sometimes I feel a bit put out by all the requests that come in for donating artwork. Since I only work on my artwork 2 days a week (or less) it is a big sacrifice for me. Below are some thoughts of mine on donating artwork.



Wooden Bowl decorated with Derwent Coloursoft pencils
donated to the Colonial Theater in Keene for their outreach program


description for the donated piece: 
My colored pencil technique relies heavily on the paper I use, so when challenged to use my colored pencils on a wooden bowl I had to get creative with my techniques. On wood, the colored pencil can not be softly shaded, so I decided to exploit the characteristics of drawing lines. When thinking in "lines" the first artist who comes to mind is Vincent Van Gogh because of his use of thick lines in his work,which immediately made me think of a sunflower design. The background was cross-hatched with criss-crossing lines to fill in the blue sky. The petals are flowing curved lines that move with the flower's direction and topography.  The center of the flower was done with a sgrafitto technique: first I layered overlapping circles from  light to dark, next I applied solvent to soften the waxy pencil, and finally scraped into the top layers to allow the lighter colors below to show through. 




What Some People Don't Know About Art Donations and Taxes


First off, artists are not allowed to claim the donation on their taxes. They are allowed to claim their purchased supplies to make the artwork they are donating, but that does not include any of the artist's time. 


I just learned that people who own existing artwork can however donate the art from their walls and claim the full market value of that artwork when they donate it. Although this seems completely unfair, that is just the way it is and should be taken into account when deciding if you want to donate your artwork or not. 


Does Donating Artwork Get You Exposure?
Sure, it could, but  it doesn't usually give you enough to over-donate. When I first started out I was so honored to be asked to donate my artwork, especially if well-known artists were asked as well. I think I figured that if they were donating that it must be beneficial. Honestly it is hard to say how much exposure you can get from donating to a cause. I would suggest to ask questions from other artists about the auctions or do a little investigating. Does the organization make an effort to get out to the public the names and images of the artwork donated? If it is for a smaller less public group, is it a group that could have potential buyers in the future or is it a group that will probably only buy artwork when pushed to do so at a charity auction? Be honest with yourself with these questions!


Also exposure can have a double edged sword. If you donate artwork that is not a good representation of your art will it actually give you bad exposure? For example, let's say the Humane Society asked for a small artwork to auction off and you decide to whip up something quickly and don't put as much effort into it as usual because it is so small... will people at the auction think better of your work after seeing that piece? This is a tough one for us colored pencil artists since our artwork can take more time than other media. If you don't have time to do a good job you should turn down the request.



Over-Donating
In the past I've donated artwork  to the Colonial Theater, the local Humane Society, the Historical Society, The Colored Pencil Society of America, Stonewell Farm, local schools... and there are more. Quite honestly I have probably donated to too many things some years. I know for me, I work part-time and only get 2 days for work on my art a week, and my family life does not allow for much work in the evenings, so my time is very expensive. If I have donated to 5 groups a year that is 5 weeks worth of work out of the year I have given away.

I'm not saying it isn't worth it, but I think artists shouldn't get into the habit of donating to everyone who asks for exposure. I think you have to think of donating in terms of wanting to help a cause or support a cause instead of the cause helping promote you. If you want to donate to the cause because you believe in the it, go ahead and donate. It also might be better to not give them your artwork, but actually donate a monetary amount. Its like the bake sale curse. I have been asked if I would give baked goods for the 3rd time this school year and I've decided to just give $ this time instead after the first one. Why? Because at the last bake sale I spent at least $20 on supplies and bags and tags to make the goods and they were sold for pocket change. I would have been better off just giving them the $20. The same goes for artwork - sure you can claim your supplies, but you can't claim your time - and a week of lost work is worth sometimes more than what the organization got for your work.

Here again is something you can ask the organization asking for the donation - how much has artwork gone for in the past? Then decide if it would be better to just the organization money instead.

Even if you like the cause I would suggest to limit the amount of artwork you donate a year to 2-3 donations? Why? Because if you have artwork constantly in charitable sales, especially in a small community, then you may have just sold to all your potential buyers and you didn't make any sales. If they can get your artwork at a discount AND make a donation to a good cause they will probably buy at one of your auctions and feel satisfied. If you do too many auctions will there be anyone left to buy from you at your full market value?

My friend and fellow artist makes some good points on this topic on her blog Durable Goods: http://www.luannudell.com/blog/2006/06/06.html

So to some up my advice:
- Limit the amount of artwork you donate a year.
- Do your homework on the the auction to make sure it will help instead of hinder you.
- Only donate to causes you truly believe in and would like to give to even if you weren't an artist

Thursday, October 6, 2011

Cake Pops and a Small Portrait




Cake Pops for this weekend's Open Studio Tour! 
Come visit me and artist Luann Udell  at her studio in Keene! 271 Roxbury Street
10 am - 5 Saturday and Sunday.

I plan on making many more things to eat tomorrow and will be picking up coffee from Prime Roast! 

& below is a work in progress. Its not finished yet so I will be bringing it to the open studio! You can see the beginning stages below and where I am at now.






Monday, September 26, 2011

The Things I'll Do For This Book!

Who is the cheapest model you can get? No, not your kids... believe me they make you pay - its yourself! I am doing the chapter on face proportions and drawing the face. I did want to get across the point that most people do NOT follow the usual guideline for face proportions. You know the one: eyes half way between chin and top of the head, bottom of nose 1/2 way between eye line and chin, mouth half way between the bottom of the nose and chin. If we all exactly fell on those guidelines the world would be pretty boring and would resemble the Scott Westerfeld's Prettys. 

I knew that I wasn't close to those ideal guidelines but it is a bit surprising just how off I am, lol. Above is my photo looking as straight ahead as I could get. I've printed out the photo and drawn on top of it where those "general guidelines" would be. My eyes are above it... my nose WAY above it (I knew that), my lips too!

So here is my guidelines where they just are - not where they should be, lol. Do notice my ears are right where they are supposed to be, lol. 


and then above is applying those guidelines on my head from different angles. When the head is turned those lines curve with the curvature of the head. 

Enjoy this sneak peak... and no I do NOT wear my hair that way - ever! :-)

Fall Foliage Art Studio Tour Coming Up!

Last week I had a couple of days to work on my art/book and I'll see if I can come up with another sneak peak to share. This week I am substitute teaching again so this is my only art day to work. 

I do want to share with you all an upcoming tour I am am on: the Fall Foliage Art Studio Tour on Columbus Day weekend. This Sunday there will be a preview at Bagel Works in Keene from 7-8:30 where you can see one piece from all the artists on the tour, pick up a map, and mark where you would like to visit the following weekend. 

I won't be opening my studio for the tour - instead I will be at the studio of my friend Luann Udell - just like last year. Since I moved my studio from downtown and work in the back of the living room, I don't think anyone wants to stand on the treadmill to see my little work space. Luann has been kind enough to have me at her studio again which is great because her work and her space is so much fun. 


Monday, September 12, 2011

the Nose... book sneak peak




 I had planned on working on my portrait book this summer. I managed to make 6 still-lifes, but I just couldn't work on my book.   I've learned how to draw with my kids around. I started drawing seriously 8 and a half years ago after my youngest daughter was born and I taught myself how to work with constant interruptions. You would think that as they get older, you would get less interruptions, but honestly I think its gotten worse, lol. The typical day this summer consisted of 4-5 meals a day, driving them places, having friends over, lemonade stands, hiking, biking,  applying many band aids, etc. Okay maybe they didn't have 5 meals a day but it certainly felt like it!

The reason I could work on drawings this summer but not my book is because it takes a completely different kind of attention to write. Writing, I think, is THE biggest brain teaser! What a difference a break makes though. I came back with fresh eyes last week and have whipped it into shape. I've reorganized things and have figured out the answer to some of the things I was stuck on. Maybe the kids nagging me was meant to be, lol.

So above is another sneak peak: my example of a straight on nose. :-)