Monday, October 17, 2011

Lina's Finished Portrait




This portrait will be a part of my book. You an see the steps it took to get it here on my other post: http://nicolecaulfieldfineart.blogspot.com/2011/10/cake-pops-and-small-portrait.html

Yes, I am still working on it. :-) I have 2 art days a week and the last couple of weeks have gone to other things: the open studio tour, and the bowl for the auction. I am not worried though because there is nothing on the radar at the moment that will suck up my art days. Oh, except my daughter does want me to come on her field trip next month to Plymouth Plantation on a Friday and I have never been there so I may have to go. 

My schedule seems to be very rigid as of late:

Mondays: cleaning the house, running errands, getting lessons ready for school the next day. 
Tuesdays: Work
Wednesdays: work
Thursdays: Art Day!
Friday: Art Day!
Nights: drive the kids around, dinner, laundry, getting lunch and clothes ready for next day,  tv/reading, bedtime
Weekends: Family Time! Woo-Hoo! & laundry... always laundry. Oh and grocery shopping. 

Unfortunately when I have to squeeze things in it usually happens on those art days...







Saturday, October 15, 2011

a Not So Still Still-life

Every child is an artist. The problem is how to remain an artist once we grow up. Pablo Picasso

I have heard this quote by Picasso so many times, but I've never been sure of what it means exactly. I think it means more than "kids make great  quirky little line drawings." It is more about kids having less restraints...


I have a still-life  at the beginning stages of design. I've gathered what I think are going to be the basic objects and they have been sitting on the floor of my studio. My 8 year old  daughter saw it and asked if she could arrange the objects. She played with the objects for a while and gathered more off my shelves. I was busy working on a drawing so I was not watching her activity,  but she was asking me questions. I remember her asking if it was supposed to be about Van Gogh because his sunflower painting was at the center of the objects. Her art teacher would be very happy to know that then she chatted about Van Gogh to me for quite a while while working away on the still-life.  

When I finally looked at what she did I was really surprised. The still-life was not very still. She set up several vignettes scattered around and they were all  in the midst of some sort of action. She has a little bird peaking out of a letter in a cafe sign, a bottle tipped over spilling out its invisible contents, another bird eating out of a tipped cup, and finally a ceramic maiden tucked in her covers for the night. 


I'm not sure what I should take from this but I think Picasso was on to something.





Friday, October 14, 2011

Donating Your Artwork

The Ins and Outs of Donating Artwork



I just finished decorating this bowl for a local charity auction for the Colonial Theater outreach program in Keene. 


Since most of my blog readers are fellow artists -  I know that we all have been asked from time to time to donate our artwork to some cause or another. I have a confession to make.  Sometimes I feel a bit put out by all the requests that come in for donating artwork. Since I only work on my artwork 2 days a week (or less) it is a big sacrifice for me. Below are some thoughts of mine on donating artwork.



Wooden Bowl decorated with Derwent Coloursoft pencils
donated to the Colonial Theater in Keene for their outreach program


description for the donated piece: 
My colored pencil technique relies heavily on the paper I use, so when challenged to use my colored pencils on a wooden bowl I had to get creative with my techniques. On wood, the colored pencil can not be softly shaded, so I decided to exploit the characteristics of drawing lines. When thinking in "lines" the first artist who comes to mind is Vincent Van Gogh because of his use of thick lines in his work,which immediately made me think of a sunflower design. The background was cross-hatched with criss-crossing lines to fill in the blue sky. The petals are flowing curved lines that move with the flower's direction and topography.  The center of the flower was done with a sgrafitto technique: first I layered overlapping circles from  light to dark, next I applied solvent to soften the waxy pencil, and finally scraped into the top layers to allow the lighter colors below to show through. 




What Some People Don't Know About Art Donations and Taxes


First off, artists are not allowed to claim the donation on their taxes. They are allowed to claim their purchased supplies to make the artwork they are donating, but that does not include any of the artist's time. 


I just learned that people who own existing artwork can however donate the art from their walls and claim the full market value of that artwork when they donate it. Although this seems completely unfair, that is just the way it is and should be taken into account when deciding if you want to donate your artwork or not. 


Does Donating Artwork Get You Exposure?
Sure, it could, but  it doesn't usually give you enough to over-donate. When I first started out I was so honored to be asked to donate my artwork, especially if well-known artists were asked as well. I think I figured that if they were donating that it must be beneficial. Honestly it is hard to say how much exposure you can get from donating to a cause. I would suggest to ask questions from other artists about the auctions or do a little investigating. Does the organization make an effort to get out to the public the names and images of the artwork donated? If it is for a smaller less public group, is it a group that could have potential buyers in the future or is it a group that will probably only buy artwork when pushed to do so at a charity auction? Be honest with yourself with these questions!


Also exposure can have a double edged sword. If you donate artwork that is not a good representation of your art will it actually give you bad exposure? For example, let's say the Humane Society asked for a small artwork to auction off and you decide to whip up something quickly and don't put as much effort into it as usual because it is so small... will people at the auction think better of your work after seeing that piece? This is a tough one for us colored pencil artists since our artwork can take more time than other media. If you don't have time to do a good job you should turn down the request.



Over-Donating
In the past I've donated artwork  to the Colonial Theater, the local Humane Society, the Historical Society, The Colored Pencil Society of America, Stonewell Farm, local schools... and there are more. Quite honestly I have probably donated to too many things some years. I know for me, I work part-time and only get 2 days for work on my art a week, and my family life does not allow for much work in the evenings, so my time is very expensive. If I have donated to 5 groups a year that is 5 weeks worth of work out of the year I have given away.

I'm not saying it isn't worth it, but I think artists shouldn't get into the habit of donating to everyone who asks for exposure. I think you have to think of donating in terms of wanting to help a cause or support a cause instead of the cause helping promote you. If you want to donate to the cause because you believe in the it, go ahead and donate. It also might be better to not give them your artwork, but actually donate a monetary amount. Its like the bake sale curse. I have been asked if I would give baked goods for the 3rd time this school year and I've decided to just give $ this time instead after the first one. Why? Because at the last bake sale I spent at least $20 on supplies and bags and tags to make the goods and they were sold for pocket change. I would have been better off just giving them the $20. The same goes for artwork - sure you can claim your supplies, but you can't claim your time - and a week of lost work is worth sometimes more than what the organization got for your work.

Here again is something you can ask the organization asking for the donation - how much has artwork gone for in the past? Then decide if it would be better to just the organization money instead.

Even if you like the cause I would suggest to limit the amount of artwork you donate a year to 2-3 donations? Why? Because if you have artwork constantly in charitable sales, especially in a small community, then you may have just sold to all your potential buyers and you didn't make any sales. If they can get your artwork at a discount AND make a donation to a good cause they will probably buy at one of your auctions and feel satisfied. If you do too many auctions will there be anyone left to buy from you at your full market value?

My friend and fellow artist makes some good points on this topic on her blog Durable Goods: http://www.luannudell.com/blog/2006/06/06.html

So to some up my advice:
- Limit the amount of artwork you donate a year.
- Do your homework on the the auction to make sure it will help instead of hinder you.
- Only donate to causes you truly believe in and would like to give to even if you weren't an artist

Thursday, October 6, 2011

Cake Pops and a Small Portrait




Cake Pops for this weekend's Open Studio Tour! 
Come visit me and artist Luann Udell  at her studio in Keene! 271 Roxbury Street
10 am - 5 Saturday and Sunday.

I plan on making many more things to eat tomorrow and will be picking up coffee from Prime Roast! 

& below is a work in progress. Its not finished yet so I will be bringing it to the open studio! You can see the beginning stages below and where I am at now.