Showing posts with label pastel pencils. Show all posts
Showing posts with label pastel pencils. Show all posts

Tuesday, January 6, 2009

Colored Pencils vs. Pastel Pencils

Liz in colored pencil (above)
Liz in pastel pencils (below)


Someone just asked me these questions in another post:
"What are the differences between the colored pencils [both the wax and oil based
ones] and the pastel pencils? why getting involved with pastels?"
Differences:
  1. scumbling - you can't realy "scumble" in colored pencil.
  2. Blending - you can blend more easily in pastels. This can be a problem if you overblend, but besides being able to more easily achieve a smooth finish (which you may or may not want to do) you can more easily achieve soft edges and not the hard edges so prominent in pencil.
  3. Pastel & pastel pencils are opaque and colored pencils are semi-transparent. This means that in COLORED pencil every layer will effect each subsequent layer when the lower layers show through the upper layers. Which can be beautiful - but allows less wiggle room and a much more controlled process of steps.
  4. Pastels are dry.... and colored pencils are either waxy or oily. That means that with colored pencil you can not work past a certain amount of layers without a buildup of either oil or wax which fills up the tooth of the paper. With pastels I have not reached a breaking point with the amount of layers - it seems like you can work forever. This again can be good or bad. Many colored pencil artist "burnish" which means they use the buildup of wax to their advantage - its something I personally don't like doing.
  5. They just look different. :)

Please feel free to add to this list or contradict what I said. This is my first experience with pastel pencils and these are just some things I found while working with them.
Why:

  1. I am drawn to work in pastel. When I go to galleries, museums or scan through the art magazines at Borders - that is what I seem to like the best. There's something about the softness, the vibrancy, the way the layers lie on top of each other.
  2. I've always told people that I work more like a pastel artist than a colored pencilist and really I wasn't sure if that was true. It turns out that is right - although maybe a hard pastelist?
  3. To give the people commissioning portraits from me an alternative to colored pencil - something they've heard of before.
  4. and finally: To push myself.

When I started colored pencil I started with smooth white paper, moved to other white papers, tried colored paper, then sanded paper... all the while trying different brands of pencils (each of which worked differently). I think it makes you grow when you try new things. Plus I just plain ole enjoyed working on sanded papers and it transformed my work. If I had never pushed myself to try them, where would I be?

Pushing yourself beyond your comfort level makes you grow so much more as an artist/human being. I compare it to my workout routine., I run 40 minutes every morning. If I keep on running at the same pace, same incline, same amount of time everyday my muscles don't grow, but if I push myself to add a little speed or an incline here or there I get stronger.

I'll have an update on the school portrait!